“Once More From The Top” by The Granite Shore

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Those of you who have followed Fishrider Records releases over the past 3 years will know that in 2012 we teamed up with small UK independent label Occultation Recordings to co-release an album by Dunedin odd-pop no-wave trio Opposite Sex in the UK, after BBC Radio, Uncut and Q Magazine in the UK all decided the album was extraordinary and our NZ pressing of only 150 LPs sold out within a few months.

Since then we have worked together to co-release in the UK and Europe albums by Dunedin bands Trick Mammoth, Death And The Maiden and, soon, The Shifting Sands, as well as the TEMPORARY compilation of new Dunedin music last year. We also co-released a 2012 mini-album by Factory Star (Martin Bramah of The Fall and Blue Orchids). Occultation also carries all the rest of the Fishrider catalogue.

Occultation Recordings has established a reputation in the UK for releasing high quality albums by respected legends of the UK post-punk scene (The Wild Swans, The Distractions, Factory Star and The June Brides) and also now the best of the young Dunedin scene from NZ. It’s a combination that works much better together than you may first expect, with Occultation’s customer base eager to investigate new sounds from southern NZ.

The epic “Once More From The Top” by The Granite Shore is the work of Occultation Recordings head Nick Halliwell, along with Phil Wilson (The June Brides), Arash Torabi (The June Brides/The Distractions), Probyn Gregory (Brian Wilson/Arthur Lee/The Wondermints), Mike Kellie (Spooky Tooth/The Only Ones/The Distractions), Steve Perrin and Mike Finney (The Distractions) and Martin Bramah (The Fall/Blue Orchids/Factory Star).

“Once More From The Top” is a concept album of sorts about the life and death (and re-birth) of a band. It’s a long-form ’60’s influenced pastoral indie-pop version of Mott The Hoople‘s “Ballad of Mott the Hoople” (if you are familiar with that ’70’s rock classic).

If the narrative theme and attention to detail in the songwriting, recording and arrangements is not already an indicator of bold ambitions, then attention given to packaging of the different formats confirms this. The 180gm LP in a deluxe heavy gatefold sleeve is an object worthy of the timeless music within.

We have a limited number of the 180gm LPs complete with booklet (a radio-play script based on the album songs!) as shown above and also a CD version with a different gatefold sleeve design. You can find these in our online store. If you are not in NZ/ Australasia/ Oceania you can get it at Occultation Recordings

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