Tag Archives: video

Death And The Maiden “Wisteria” NZ Tour & video!

Death And The Maiden are celebrating the release of their 2nd album “Wisteria” by playing album release shows around NZ in late August and early September.

Thursday 30th August – Wellington, Caroline w/ Introverted Dancefloor
Friday 31st August – Auckland, The Others Way Festival
Friday 7th September – Christchurch, w/ Plaines, Motte and Ben Woods Group

If you are in Dunedin but missed their epic album release show at Pioneer Hall in Port Chalmers back in June you can catch them at The Captain Cook Hotel opening for Die! Die! Die! on Friday 24 August.

The band have also just released a video for “Mercury” from “Wisteria” made by Chris Schmelz which you can read about and view here at Under the Radar NZ.

DATM_Wisteria_trio

 

Advertisements

The Shifting Sands announce a new 7″ single and share a video for “Run”

The Shifting Sands_LA Studio

The Shifting Sands with Manny Nieto in LA.

The Shifting Sands announced a new 7″ single today, sharing a video for a new song called “Run” which appears on the single, due out towards the end of January 2018. [UPDATE: the single is finally on its way to NZ and we expect to have it in stock and to fulfill pre-orders in the week of 12 February 2018. Thanks for your patience!]

TSS Run FB

The Shifting Sands  Zoe/ Run (7” single)

After touring the West Coast of the USA supporting David Kilgour and the Heavy Eights, Mike McLeod booked studio time at Manny’s Estudio International in East Los Angeles. Far less glamorous in reality than it all may sound says Mike.

Joining the Shifting Sands for the sessions was guest guitarist Steven Schayer – a then LA-based musician with NZ connections, having played in The Chills during the early 90’s US-based “Soft Bomb” album era.  Steven brought a different flavour to complement the independent DIY No. 8 wire approach of The Shifting Sands.

Manny Nieto also brought a different flavour to the table, producing the tracks. Manny has worked with Steve Albini and has recorded bands like the Breeders and Los Lobos.

Whereas previous albums had been layered in fuzzy guitars and synthesizers, this session involved less layers, but more harmonic breadth within the layers. Tom added bass tracks on an 8 string bass, Mike adding a bass 6 – a guitar tuned down one octave.

While there are less layers of harmonic distortion – a characteristic component of the Shifting Sands sound – there is still a lot of harmonic complexity, just realised in a different way to the approach the Shifting Sands took on their first two LPs.

The band recorded on a Neotek console and via a two-inch tape machine, before mixing down through a ¼ inch tape reel.  Back in Dunedin the songs were mastered by Tex Houston. The 7” vinyl release format completes this analogue approach.

These songs reflect a special moment in time, in the sweltering heat of Los Angeles, while the band were far from their busy normal lives and able to spend time purely focused on making music, in a vastly different environment to their home town of Dunedin, and their base at Chicks Hotel in Port Chalmers.

Port Chalmers Fisheye2

Port Chalmers, Dunedin

 

“Civilisation” by Death And The Maiden (video)

Following on from the impressionistic video for “Victory” by guitarist/ drummer/ vocalist Hope Robertson from the dark and dreamy debut by Death And The Maiden, here’s another video, this time for “Civilisation”, once again featuring the sleepy village of Port Chalmers.

This odd little 150+ year old port town mixes century old provincial New Zealand architecture with the industrial sprawl of a major shipping port and container terminal. The video is filmed in black and white on a fine sunny day, yet still manages to maintain the stealthy distance of surveillance footage, as if dispassionately observing life on a different planet.

There are also a couple of scenes of Chris Booth’s sculpture “Aramoana” from the Hotere Garden Oputae  on the lookout overlooking the port and harbour. It’s a reminder that although this town is physically dominated by the maritime transport industry, it also has a strongly beating heart of art.

Two of the three members of Death And The Maiden live in Port Chalmers and the third is a regular visitor. In winter – or on cooler summer nights – the cold damp and fog or rain mixes with the clammy aerosol grey of diesel fume infused salty air. At night the sounds of the Port machinery hangs over the town, a repetitive hum of boat engines punctuated with the clang and thump of metal on metal as containers are loaded and unloaded.

It’s hard to avoid this all working its way into the subconscious of the residents, and into their music and art, whether it is through some kind of psychological osmosis or escapist rejection. This is Death And The Maiden’s “Civilisation” then: