Fishrider Records is proud to co-release the third and apparently final album by Manchester post-punk legends The Distractions with our UK partners Occultation Recordings. The Distractions songwriter Steve Perrin now lives in New Zealand and the drummer on this album is Fishrider Records & The Puddle’s Ian Henderson, so the album has a strong local NZ and Dunedin connection.
“Kindly Leave The Stage”, is released less than 5 years after the critically-acclaimed “The End of the Pier”. That second album took over 30 years to appear following their 1980 Island Records debut “Nobody’s Perfect”, which came out a year after their Factory Records single “Time Goes By So Slow” in 1979 – the single immediately preceding Joy Division’s “Transmission” single.
Fast forward to 2017 and time no longer goes by so slow for founding members guitarist and songwriter Steve Perrin and vocalist Mike Finney. “The classic narrative structure is beginning-middle-end so three seemed like the right number,” says Steve. “Also I thought it was important to formally say ‘goodbye’, both to the fans and to each other.” Mike adds, “I think that there was a lot of unfinished business after the first album, and I feel lucky that we got the chance to complete it properly.” The Distractions, not so much a great lost band as a great found band, are taking a final bow.
Ian responded to a distress call when regular Distractions drummer Mike Kellie was unable to make the “Kindly Leave the Stage” sessions due to ill health. Sadly Mike passed away earlier this year. The album is dedicated to his memory. He was very much part of these sessions in spirit, such was the impact he made on the other Distractions in their time together in the studio and on stage. Mike was a larger-than-life legend, with a drumming career starting in the late 1960s with Spooky Tooth, then playing with post-punk band The Only Ones between 1979 and 1982 (and again when they reformed in 2007).
This is a special album for a lot of reasons. The international rescue mission by a spare drummer from the Dunedin label that has worked closely with Occultation Recordings (appearing in human form here as the Distractions other guitarist Nick Halliwell) was also a fitting way for Fishrider to repay the generosity shown by Occultation Recordings over the years in helping our artists’ releases find a foothold in the UK and Europe, and to celebrate 5 years of a label arrangement spanning the whole wide world.
“Kindly Leave the Stage” is available on LP and CD and as a download. It also comes in a very limited edition package with an additional 6-song 10″ mini-album of unreleased songs, poster and other items. It is available in NZ/ Australia/ Oceania from Fishrider Records and in the UK/ Europe and US from Occultation Recordings.
Steve Perrin on the Manchester post-punk scene in the late 1970s…
“It was a much more diverse scene to start with than people seem to give it credit for in retrospect. In retrospect everyone’s got a leather jacket and spikey hair, whereas if you’d taken photographs of the initial line up of Buzzcocks, The Fall, us, Warsaw or whatever we all looked pretty different and we all played pretty different kind of stuff but we just happened to be friends. We knew each other and played on the same bill and people didn’t have a problem with that. People didn’t seem to think it was odd that us, who were basically a pop band, sang love songs, were supporting The Fall who were a different proposition altogether. That didn’t seem strange.”
… and on how The Distractions were signed to Factory Records in 1979
“Tony Wilson rang my Mum, and I was not around, so I got home and she said “Peter from The Buzzcocks and that Tony Wilson off the telly have been on the phone”. She just got used to that sort of thing. Tony was very good with people’s Mums. He could be very charming.
Then I spoke to him and he said “we’re really interested in doing something and you’re going to be single of the week in the NME.” I thought he was a bit mixed up, because what had actually happened was there was a review in the NME by John Cooper-Clarke [of their first EP on TJM Records], which was a very short, positive, short review, so I thought maybe he’s had a drink or something. And what had happened is he’d spoken to Paul Morley who had told him that he was not happy with the John Cooper-Clarke review and he was going to review it again next week and make it single of the week that week. So that was that. And he said “Do you want to record for Factory?” and we went “Yes, we do”.”
“Time Goes By So Slow” was released in September 1978, catalogue number FAC12. FAC 13 the following month was “Transmission” by Joy Division.